Filmmaker Niyamul Mukta has found himself at the centre of widespread discussion following the announcement of the 2023 National Film Awards – but not for reasons of celebration alone.
After the winners’ list was published on Thursday, January 29, it emerged that Mukta had been named Best Screenplay winner for his film Raktajaba, despite the screenplay having been written by Tasnimul Hasan. The discrepancy quickly drew attention on social media, prompting questions about how the credit was assigned.
Breaking his silence on Friday night, Niyamul Mukta clarified the issue and took a firm stand, saying he would not accept the award.
“I submitted Raktajaba for the National Film Award following all the proper rules. I don’t understand how this mistake happened,” Mukta told the media. “The screenplay of my film was written by Tasnimul Hasan. That is why I will not accept this award. He deserves it.”
Mukta said he contacted Tasnimul Hasan immediately after the announcement to inform him of the situation. “I don’t want anyone to think that I’m taking credit for something I didn’t do. That would be completely wrong. The real contributor should receive the honour,” he added.
Screenwriter Tasnimul Hasan, who is currently studying in India, also reacted to the development. “Winning the National Award for Best Screenplay is a matter of great pride for our film,” he said. “But since Mukta’s name appeared instead of mine, we expect the authorities to correct the list and republish it.”
Officials concerned with the awards process said the issue would be reviewed. Speaking on condition of anonymity, one official said, “We have not yet examined how the mistake occurred. A decision can be made only after proper investigation.” Another official noted that comments would be made once offices reopen and the matter is formally looked into.
Niyamul Mukta’s decision has earned widespread appreciation within the film fraternity. Many filmmakers and cultural commentators have praised his stance as a rare example of professional integrity – highlighting the importance of acknowledging creative ownership in an industry where credit often becomes contentious.
As discussions continue, the episode has sparked a broader conversation about transparency, attribution and ethics in Bangladesh’s film awards system.